The year is 1933: Gangsters run amok, robbing banks in downtown Chicago. The great depression has the United States in dire straits. All of this is captured with...handheld digital cameras?
So I saw Michael Mann's 'Public Enemies' last night. Overall I enjoyed the flick quite a bit, but there was something that kept tearing my attention away from the story: They shot a good chunk of this film on handheld digital cameras. This was a big surprise to me, since none of that style really came through in the trailers. But I want to establish that I'm all for advances in film tech and directors experimenting to get the best possible shots for their films. But handheld digital cameras emulate such a modern style and atmosphere; I'm not sure how appropriate they were in a 1933 gangster movie. The way digital cameras pick up light or sound is so inherent to a post-millennial, '28 Days Later'-style of filmmaking. It just comes across as very "unnatural" for a strong period piece. It's odd to see that shaky-cam style with all the little dancing pixels picking up G-Men firing tommy guns out of a Ford Model-T.
Maybe I'm too accustomed to seeing epic period pieces shot like epic old-school Hollywood films. There was a great sense of realism that Mann brought to the events depicted in the film. But overall, it was a very strange thing to witness, to say the least. It was almost as if I was watching footage of rehearsals on set, shot by a PA. Which, considering how it all plays out, wouldn't be the worst thing to watch.
Digital Film for The Depression Era
Posted by thegreatredhope
The year is 1933: Gangsters run amok, robbing banks in downtown Chicago. The great depression has the United States in dire straits. All of this is captured with...handheld digital cameras?
So I saw Michael Mann's 'Public Enemies' last night. Overall I enjoyed the flick quite a bit, but there was something that kept tearing my attention away from the story: They shot a good chunk of this film on handheld digital cameras. This was a big surprise to me, since none of that style really came through in the trailers. But I want to establish that I'm all for advances in film tech and directors experimenting to get the best possible shots for their films. But handheld digital cameras emulate such a modern style and atmosphere; I'm not sure how appropriate they were in a 1933 gangster movie. The way digital cameras pick up light or sound is so inherent to a post-millennial, '28 Days Later'-style of filmmaking. It just comes across as very "unnatural" for a strong period piece. It's odd to see that shaky-cam style with all the little dancing pixels picking up G-Men firing tommy guns out of a Ford Model-T.
Maybe I'm too accustomed to seeing epic period pieces shot like epic old-school Hollywood films. There was a great sense of realism that Mann brought to the events depicted in the film. But overall, it was a very strange thing to witness, to say the least. It was almost as if I was watching footage of rehearsals on set, shot by a PA. Which, considering how it all plays out, wouldn't be the worst thing to watch.